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Dreyer’s “Gertrud,” like the various installments of “The Bachelor” franchise, found much of its drama basically from characters sitting on elegant sofas and talking about their relationships. “Flowers of Shanghai” achieves a similar result: it’s a film about sexual intercourse work that features no sex.
“Eyes Wide Shut” might not seem to be as epochal or predictive as some in the other films on this list, but no other ’90s movie — not “Safe,” “The Truman Show,” or even “The Matrix” — left us with a more accurate feeling of what it would feel like to live from the 21st century. Within a word: “Fuck.” —DE
It’s easy to be cynical about the meaning (or deficiency thereof) of life when your occupation involves chronicling — on an yearly foundation, no less — if a large rodent sees his shadow in a splashy event placed on by a tiny Pennsylvania town. Harold Ramis’ 1993 classic is cunning in both its general concept (a weatherman whose live and livelihood is determined by grim chance) and execution (sounds poor enough for at some point, but what said day was the only day of your life?
The aged joke goes that it’s hard for just a cannibal to make friends, and Chicken’s bloody smile of a Western delivers the punchline with pieces of David Arquette and Jeremy Davies stuck between its teeth, twisting the colonialist mindset behind Manifest Destiny into a bonafide meal plan that it sums up with its opening epipgrah and then slathers all over the display until everyone gets their just desserts: “Consume me.” —DE
by playing a track star in love with another woman in this drama directed by Robert Towne, the legendary screenwriter of landmark ’70s films like Chinatown
A married person falling in love with another male was considered scandalous and potentially career-decimating movie fare from the early ’80s. This unconventional (for the time) love triangle featuring Charlie’s Angels
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She grew up observing her acclaimed filmmaker father Mohsen Makhmalbaf as he directed and edited his work, and He's credited alongside his daughter to be a co-author on her glorious debut, “The Apple.”
Tarr has never been an overtly political filmmaker (“Politics makes everything much too easy and primitive sisswap for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never had a chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is in the thrall of another authoritarian leader displays both the recursive arc of recent history, along with the full power of Tarr’s sinister parable.
Spike Jonze’s brilliantly unhinged “Being John Malkovich” centers on an amusing high concept: What for those who found a portal into a famous actor’s mind? However the movie isn’t designed to wag a finger at our society’s obsession with the lifestyles in the pormhub rich and famous.
“Public Housing” presents a tough balancing act for the filmmaker who’s drawn to poverty but also dead-set against the manipulative sentimentality of aestheticizing it, and nonetheless Wiseman is uniquely well-well prepared for the challenge. His brazzers camera simply just lets the residents be, and they reveal themselves to it in response. We meet an elderly woman, living on her possess, who cleans a huge lettuce leaf with Jeanne Dielman-like care and then celebrates by calling a loved a single to audio porn talk about how she’s not “doing so warm.
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“The Truman Show” could be the rare high concept movie that executes its eye-catching premise to absolute perfection. The idea of a person who wakes as much as learn that his entire life was a simulated reality show could have easily gone awry, but director Peter Weir and screenwriter Andrew Niccol managed to craft a believable dystopian satire that has as much to mention about our relationships with God because it does our relationships with the Kardashians.
From that rich premise, “Walking and Talking” churns into a characteristically minimal-vital but razor-sharp drama about the complexity of women’s internal lives, as The author-director brings such deep oceans of feminine specificity to her dueling heroines (and their palpable display chemistry) that her attention can’t help but cascade down onto her male characters as well.